Prakrita sahajiyā and their misconception about rūpānuga bhajan

The warning by Śrīla Prabhupāda Bhakti Siddhanta Sarasvatī Gosvāmī Ṭhākura—paramahaṁsa Jagad Guru

īhā yasya harer dāsye

karmaṇā manasā girā

nikhilāsv apy avasthāsu

jīvan-muktaḥ sa ucyate                                Bhakti-rasāmṛta-sindhu (1.2.187):

“A person acting in the service of Kṛṣṇa with his body, mind and words is a liberated person even in the material world, although he may be engaged in many so-called material activities.”

(From the speech by Śrīla Prabhupāda at Śrī Yogapith Śrīdham Māyāpur 3.2.1936)

All those līlā-vilas topics of Śrī Kṛṣṇa should not be discussed here and there, very careful about this-very careful. A disciple of Śrīmad Bhaktivinod Ṭhākura can never go to attend hari-katha from those sahajiyās.  Those prākṛta-sahajiyās—What they can speak about hari-bhakti? Any good man (if their consciousness is enough) must not go that side of the river to attend hari-katha over there. There only the topics of Characterlessness are being discussed, no smell of hari-katha. Just like Kṛṣṇa who wanted to destroy His own dynasty by the help of creating Kali among them, similarly Śrī Gaurasundar also wanted to create thirteen different kind of apasampradāyas together with the possibility of creating countless Apasampradāyas, to hide the real prema-dhara of bhaktivinoddhara with the flood of karmavād, māyāvād, sahajiyāvād etc., at the same time also very secretly He Himself has arranged the distinct procedure of pure hari-bhajan by avoiding all those nonsense to protect and preserve the most sublime bhaktivinod-dhara. Śrī Kṛṣṇa wanted to discover āsura distraction līlās, and also wanted to destroy all those impediments in the way of genuine braja-bhajan or śrī-rūpānuga-bhajan in the form of Śrī Kṛṣṇa Caitanya Deva, also many other līlās like agitation against Kazi- who had broken mṛdaṅga, or the līlā of avoiding Chotta Haridas forever or the līlā to show the major difference of mood between Ramchandra Purī and  Īśvara Purīpad regarding their guru-sevā mood, or the līlā to show the siddhanta-virodha and rasabhasa of the material Bangladeshi Kavi or the līlā to rectify the materialistic conception of enjoying mood of those baulias (sahajiyās).